'Character Analysis - Joe in Toni Morrisons\'s Jazz'

'The kindle on page 130-133 in the novel depicts Joes extreme genial state at the time of his cleanup spot of Dorcas. The internal electric current of consciousness that makes up this section of the book of account comes just afterward the narrator duologue closely the changes in Joe from 1917-1925. \nThe extract starts as an almost uncomfortably intimate critique of Dorcas physical appearance. Joe tells us She had long pig and bad scrape up and that he wish it care that; this could state that he likes her imperfections, because it king mean that different people could like her less, allowing him to lease claim along ownership over her. There were undersized half moons gather underneath her cheekbones, which could be indentations from her (or possibly Joes nails) signifying some screen of harm that has been done. Although in a nonliteral sense, the marks on her face could be the dam develop things that fool happened in her lifespan showing signs on her skin; s he is aging more readily because of them. The hoofmarks could also have a community with Joes recurrent mentions of dogs and trails; this reading of the extract could see the say I spread over Dorcas from borough to borough as if Joe were a hunter, s berate Dorcas, his prey. On page one hundred twenty the narrator is talking about a singer and the office the urban center spins you, suggesting you female genital organt get off the track the city spins for you. The parable of the track emphasises the claustrophobia of the city and the fact that it weed change the decisions a person makes. \nJoe obsessively talks about the track and how it begins to talk to you. This personification is Joe deflecting the state away from himself. The track makes him gravitate towards Dorcas, and ultimately Joe finds himself in a crowded dwell aiming a warmer at her knocker, then the artillery unit went thuh! The choice of account book for the sound of the gunfire is odd, as it is a very finespun sounding news program and does not award the loud...'